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Below are some recently posted reviews.

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WHITEE:
Sapphic Delight: CD
A rap album with decent beats, weak rhymes and even weaker delivery. Another disc to clutter up the racks. –jimmy (www.whitee.com)


WHITE TRASH DEBUTANTES:
Golden Greats: CD
Back in late March, yours truly received a kick-in-the-ass-typa surprise when I got to catch the White Trash Debutantes gigging with Hollywood Hate, and let me tell you, Mr. Smartypants, I was pleasantly surprised to see them upgrade to the next level of rocking a crowd’s ass off with their current lineup. The last time I had seen this outfit was three years ago, and all I can say is that this version of the group that Ginger Coyote has rounded up now is more than enough reason to go see them. And this CD is the old-fashioned rock and roll that fries you alive, like a two-year-old sticking the end of his unraveled Slinky into a power outlet. With a smashing rhythm section and roaring chords of guitars, the Debs crush and crunch their way full-throttle through this disc, complete with the hot-cha-cha added singing of Tonia Bodley, who sexily shakes and shimmies like a lovely lost soul grooving through go-go purgatory. Any real fan of rock and fucking roll (to coin brotherman Big Marty’s phrase and label) should get in contact with the Debs and get their wet and nasty hands on a copy of this here disc. It's got thirty-one trashy tracks to push the limits of your creepy, derelict Daddy’s speakers with, including a WayneCounty cover that your Mom can take to her next candle party and start a sing-a-long with. What she does with the candles is her own business. Viva Ginger and the Debs! –dale (White Trash Debutantes)


WATCHMAKER:
Kill. Crush. Destroy: CD
Oops. Not Watchtower, and not Spazz, either, but somewhere about 15 degrees away from directly in between. Crazy brutal metal with no wanky metal trappings. Drop this monkeyfucker in the playing device and watch boredom run screaming like a little boy. –Cuss Baxter (Wonderdrug)


WATCH IT BURN/TILTWHEEL:
Split : CD
I'm a bad person. Watch It Burn are an all right band. They're all accomplished musicians. I really liked their song "Radio Pollution." They're fun as hell to watch live – people bouncing all over the place, things getting kicked over, getting beer baths, participating in alcohol slip'n'slides, and performing mid-set liver transplants. But I still can't get over how much like they sound like Hot Water Music (the bass tone and playing style is almost identical and so are a lot of blips and bings) and how literal the lyrics are, like "this reminds me of a Jawbreaker song, that I haven't heard in so long." Strangely, I wouldn't be half as critical of them if they didn't share this with my favorite three-piece American punk band: Tiltwheel. It's the happiest desperation you're bound to hear. Damn, these three songs are a powerhouse. The lyrics make you want to kill yourself at your happiest life moment, or, conversely, see that glimmer of hope when you think the rope's choking you out. What's so cool about this triumvirate is that the three songs and three musicians all work perfectly together – fast and slow, angry and seeking penance. After listening to literally hundreds of records a year for the past eight years, Tiltwheel songs continue to always be in high rotation. It's just fantastic music, regardless of genre. Quite possibly the best band you've never heard. There's a huge interview of them on our website. –todd (ADD)


WASTED:
Down and Out: CD
Rancid and the Dropkick Murphys move to Finland and start a street punk band, complete with the requisite chanty parts. –jimmy (Combat Rock Industry)


WARREN COMMISSION, THE:
Tricked by Cleverness: CDEP
I'm a dick. I really liked these guys when they played a basement in WashingtonDC or thereabouts, and asked for this CD specifically, but, good lord, a fucking tambourine? On not just one song? Songs fit for the "Dawson's Creek" soundtrack (they have that, right?)? What I liked in that sweaty basement wasn't the perfectly harmonzied Edie Brickell weeping vaginathon (but it sounds like a thirteen-year-old, so I'm feelin' like a pedophile right now), but a rockin' band that – agreed, had arty moments – but bordered on new wave and reminded me of Discount. Man, I'm thrown for a loop. Is my memory that fucked? Has Pabst finally conspired against me? Is my history being re-written, like how the Warren Commission concluded that Lee Harvey Oswald "acted alone with no clear motive"? Arrrggh! A drum machine over an acoustic thingameybob on track four. More emo supreme filigree crying poo follows. Kill it. Kill it… Mommy, make it stop. –todd (Espo)


VIRULENT STRAIN:
Torture Tools: CD
Hard core punk in the vein of F-Minus here. The singer is a female that would probably kick my ass. This is a pretty awesome CD. Not a single lull on it. With that said, why is the singer’s name Mercedes? Sounds like a titty dancer I knew once. Damn, if this girl is a titty dancer, I need to find out where. The way she sounds, I bet she’s a sight on stage, pinning her spiked heels into men's chests and ripping dollar bills out of their hands with an evil snarl. Where is Allston, MA? –toby (Rodent Popsicle)


VELVET UNDERGROUND, THE:
Bootleg Series Volume 1: The Quine Tapes: 3X CD

Culled from shows performed on the West Coast in 1969, these three discs comprise nearly four hours of live performances and almost all of it sucks. Lou Reed appears to have left his hard hipster sensibilities in New York and embraced the mood of the time and place, for the shows recorded in San Francisco have a folky, singer-song writer aspect that is beyond lame. Unless your idea of fun is listening to three 30-minute versions of “Sister Ray,” you better run, run, run, run, run like hell away from this one.

 

 

–jim (Universal)


VARIOUS ARTISTS:
The Thing That Ate Floyd: 2X CD
I was wondering if Lookout was ever gonna re-release this. Originally released on vinyl in 1988, this now serves as a snapshot of what was goin’ on in the Northern California punk scene during that time period (sheesh, it’s damn bizarre sayin’ shit like that ’cause to an old fart like me, it seems like last week), much like MRR’s Not So Quiet on the Western Front did six years earlier. Like that collection, Floyd has some good things goin’ for it, as well as some things not so hot. On the plus side, you get to hear what some of today’s favorite bands sounded like when they were first starting out, as this includes tracks by No Use For A Name, Neurosis, Cringer (featuring future J Churcher Lance Hahn), Lookouts (featuring both former Lookout big wig Larry Livermore and a very young Tre Cool from some band whose name escapes me) Operation Ivy (no need to explain ’bout these guys, do I? The track here is exclusive to this comp, by the way), Bitch Fight (includes Todd Spitboy, one of the nicest people I’ve ever had the pleasure of meeting while on tour [Thanks for turning me onto Los Crudos. I think the other guys in Ollin are still pissed at you for that, though, seeing as I’m STILL playing ’em to death]. The song’s good, too, even if it is a blatant rip off of SLF’s “Here We Are Nowhere”) Crimpshrine (Jeff Ott’s old band and something of a legend unto themselves), Stikky (members of whom did business under the name Spazz) and others. You also get some choice tunes from some other well-known bands, including Sweet Baby, Sewer Trout (“Vagina Envy” is a scream, even after all this time), Corrupted Morals, Tribe of Resistance, Steelpole Bathtub, Mr. T. Experience (hands down the best track here), Kamala and the Karnivores (also featuring Todd) and Capitol Punishment. They’ve also reproduced the booklet that came with the original pressing, although there’s no update letting you know what’s happened since to most of the people/bands represented here. The biggest minus is one inherited from the original compiling of this epic: some bands on here suck just as bad as they did way back when. Had this been a single LP effort, it would’ve easily been in the running as one of best punk-related comps ever. As it stands, though, it’s at best an interesting look at a once-influential scene, warts ’n’ all. Would’ve been a neater idea if they’d re-released the Turn It Around comp on disc with the choice cuts from this comp. At least the result would’ve been consistently good. –jimmy (Lookout!)


VARIOUS ARTISTS:
Teen Line #7: CD
First off, let me say that the Stiv Bators track, a shameless piece of Mersey Beat worship, is pure genius. Why this song didn’t burn its way up the charts in the same way as “My Sharona” will remain a mystery. More power pop in a myriad of hues here, all from America, all from the letters B and C, all dang cool in their own way. Featured this time around are Cheese, Comateens, Conditionz, Beat Rodeo, Clicks, Comets, Crash Kills Five and a bunch of others. For those of us who like to know who the hell we’re listening to, liner notes are also included. Send all your lunch money now or expect to be kicking yourself in the ass ten years from now, ‘cause this is some good stuff. –jimmy (www.hyped2death.com)


VARIOUS ARTISTS:
Teen Line #4: CD
Another subgenre from the folks at Hyped to Death, this series covers the world of power pop with just enough skewering of the rules to get in a wide variety of different sounds to keep things interesting. Covered in this installment are North American bands from the Q-Z portion of the alphabet. Included are rare tracks by the Quick (the original version of “Pretty Please Me,” now a staple in the Dickies’ set), the Zippers, 20/20, Paul Collins, Real Kids, Silvain Silvain, Tuff Darts, Taxi Boys, Velvet Elvis and more. As can be expected with a comp covering power pop as a genre, the sicky sticky bubblegum quotient inherent in the genre is in abundance. If you can get past the initial saccharin shock, though, you’ll find that there are many more good songs to be found here than clunkers. –jimmy (www.hyped2death.com)


VARIOUS ARTISTS:
Reno: Where Dreams Come to Die: CD
Someone's gonna argue with me, but I gotta say This Computer Kills is the worst thing on here (I'm exempting the Scurvy Bastards' pirate Oi song, because that's not going to fit in on ANY record). Their two studious forays into dynamic playland just don't cut the high intensity mustard peddled by the rest of the bunch. Bands like Redrum, Headgrenade, the Livid and Vae Victis provide conventional hardcore goods, Iron Lung takes it down in the cellar for the sludge factor, and Bloody Victim meets in the old clearing for a black metal seance (not something you generally get on a punk comp, for sure). Don't get me wrong, This Computer Kills don't ruin the record for me, but I think I would've replaced them with another Livid or All Opposed track and sat back to wait for the laurels to heap on. –Cuss Baxter (Sedition)


VARIOUS ARTISTS:
Pie & Ears Volume : 2 CD
The second installment of an overview of the Cleveland punk scene with bands both old and new. Includes tracks by the AK-47’s, Generics, Idiot Humans, Kneecappers, Styrenes, Offbeats and others. The quality of the tracks both in sound and delivery is surprisingly consistent. Although there are a couple of “why’s this on here?” tracks, songs like the Idiot Humans’ “Toppling Stairs” make the whole thing worth it. Pretty good. –jimmy (Smog Veil)


VARIOUS ARTISTS:
New York’s Hardest Volume 3: CD
Dude, not even the SOD tracks were able to save this from penetrating the furthest depths of suckdom. Bad metal passing itself off as hardcore from the usual suspects: Agnostic Front, Inhuman, Ill Niño and others. Jeez, what a waste of time and money –jimmy (Go Kart)


VARIOUS ARTISTS:
Messthetics #6: CD
H2D’s UK equivalent to its Homework series, this one is just as varied and filled to the brim with all sorts o’ weirdness, from the primal punk rock of the Bleach Boys to Crass posturing by Honey Bane (which makes sense, as the EP from which the track here was culled was released on the Crass label) to the Buzz’s art-pop. Other groups featured include the Avant Gardeners, Airmail, Big in Japan (a band who featured members of Siouxsie, KLF and Frankie Goes to Hollywood), Bouncing Czechs, Beevers, Bloated Toads and B-Film, to name a few. In all, a good comp with something for every taste and a few new sounds you’ve probably never heard before. –jimmy (www.hyped2death.com)


VARIOUS ARTISTS:
Hyped to Death #51: CD
The latest in this multi-volume series, this one is a little heavier on '77 punk and Detroit-style post-glam swagger than previous installments, but even if it ain’t as diverse as some of the others, the song selection is still mighty high and there is still the occasional oddball gem to be found here. Highlights this time around include Chainsaw, Convicted (great slice of early '80s OC tuneage) Cheetah Chrome, Cracked Actor, Coldcock, Claude Coma and the IVs, Cinecyde, the Cads and others. –jimmy (www.hyped2death.com)


VARIOUS ARTISTS:
Homework #7: CD
More American DIY strangeness here, this time around focusing on the more “experimental” side of things. It does get pretty out there, but nothing here can be said to suck and there’s enough diversity within the “experimental” tag to keep things interesting. For your buck, you get tape loops, synthcore, quirky pop punk, no wave and the like from featured bands like the Algebra Mothers, Brain Damage, Belle Star, Big Stick, Babylon Dance Band (who went on to become Antietam), Anti-Matter and oodles more. Recommended. –jimmy (www.hyped2death.com)


VARIOUS ARTISTS:
Homework #4: CD
Okay, I’m gonna tell you all something, but you gotta promise you won’t tell Chuck H2D: although I love all of the series available on his label, the Homework series is, by far, my favorite. Why, you ask? One word: diversity. Sure, they’re all diverse in sound and bands, more so than most other comps out there covering the same material. The Homework discs, with the only criteria for inclusion seeming to be that the bands are American in origin and “DIY,” go waaaay out on a limb. Case in point, this installment. What you get here is thirty-one tracks of music cutting a very wide swath across the punk rock landscape, ranging from quirky wave-pop to primal rock’n’roll to proto hardcore to no wave to that which defies categorization. Most, if not all, of the tracks are long out of print and the quality of both the sound and of the tracks themselves are pretty high. Featured tracks included on this installment come courtesy of Half Japanese, 100 Flowers, Rachel Sweet, Really Red, Voodoo Idols, Johanna Went, and a shitload of others. If you are one of the few left who remain steadfast to the rule that punk rock bands should strive to be unique, you’d have to be a complete blithering idiot not to pick up as many of these discs as you can get your hands on. –jimmy (www.hyped2death.com)


VARIOUS ARTISTS:
Give ‘em the Boot III: CD
If any of these bands are one your favorites or you have the slightest interest of hearing what they sound like, you should not hesitate on picking this up. Being the third of the series of cheap samplers, this is a great value for a CD that I think costs like four or five dollars. I’m going to list every band here so you can make the choice. One song each from The Distillers (their best song yet!), Dropkick Murphys, US Bombs, Rancid, Lars Frederiksen & the Bastards, F-Minus (!), Agnostic Front, Nerve Agents, Duane Peters & the Hunns, Roger Miret & the Disasters, Leftover Crack, Nekromantix, Tiger Army (!), Devil’s Brigade, The Slackers, Joe Strummer & the Mescaleros, King Django, The Pietasters, Mouthwash (best fucking new ska song that I have heard in a while), The Gadjits and Hepcat. Included for you computer geeks are two videos by Tiger Army and the Dropkick Murphys. What a bargain! –don (Hellcat)


VARIOUS ARTISTS:
Get Thee to a Nunnery: CD
Hardcore madness takes form in this mad assortment of bands brought to you from Craig of Schizophrenic. 9Curve: Japanese speed metal that makes you want to mosh with all those long hairs you used to despise. Black Mass of Absu: First track is death metal with organs. Second track is grindcore with industrial noise added for the mix. DS13: Do I have to even describe these Swedish gods? Worth the purchase price for these tracks alone. Havaistys: Finish hardcore just the way I like it, abrasive and raw. Hyper Hindu Squatters: More in the raw punk vein from what I’m assuming is an all-girl band from Japan. Kokosha Glava: Here is something I didn’t expect from this comp. Belgium ska! Good change of pace! Mormons: Raw demo-tape-sounding punk that is sarcastic. Freaks: Japanese pile drivers that force the issue with great hardcore that is thick as much as it is mean. The Knock-Up: Swedish garage rockers who mix this thing up once again. BanglinBay: Another band from Japan that gets sloppy without falling apart and play fast enough to keep me interested. Huono Olo: Old school sounding Finish punk. Demona: Ethereal noise probably made by a guy on his computer so that he can use it to accompany his multimedia art project. Ten bucks buys you this diversity of music. –don (Schizophrenic)


VARIOUS ARTISTS:
Fastmusic Punk 2001: CD
I’m utterly knee-deep impressed with this cacophonously pleasurable bundle of pure and poppy punkrock panache! It’s one of those giddy, feel-good comps that causes me to jubilantly leap around the room like a wide-eyed five-year-old kid surrounded by a colorful abundant array of sparkle-spangled packages on Christmas morning. My ears are frenetically twitching up a storm, and my heart is wildly palpitating like there ain’t no tomorrow due to the euphoric upbeat auditory hyperactivity on this here CD. It enchants, intoxicates, and entrances the senses somethin’ silly! Consisting of a mostly clean-cut pop-punk line-up (includin’, but not limited to: Slab, Down By Law, Gamits, Travoltas, Luckie Strike, The Fairlanes, The Fonzarellies, Welton, and numerous others), the wrath-like addition of the Circle Jerks (with a rousing demo version of “Teenage Electric”) is a bit off-kilter, but certainly more than welcome. Hell yeh! Anyway, as I now sign-off with a resounding well-suited belch, I vigorously recommend this melodiously pristine release to you all. –Roger Moser, Jr. –Guest Contributor (Fastmusic)


VARIOUS ARTISTS:
Broken Lamps and Hardcore Memories: CD
10.0pt; mso-ansi-language: EN-US; mso-fareast-language: EN-US; mso-bidi-language: AR-SA">A “hardcore” comp, in this case meaning heavy metal jock rock played by bald dudes with tattoos and wallet chains, with chugga-chugga noise from the Movielife, Rise Against, Darkest Hour, Walls of Jericho and bunch of others. Not surprisingly, I couldn’t find a single song worth a piss on this. Oh yeah, it’s a benefit comp. –jimmy (www.pastepunk.com)


VARIOUS ARTISTS:
Beast of British: CD
A pretty lackluster and, frankly, suck-ass comp of “punk” bands from England. Although Annalise weigh in as the best of the “new” bands contained herein, once again it’s those bands representing the old guard, namely the Subs and the Varukers here, that come up with anything worth a piss, as the other bands prefer to wallow in the ska/punk and post-emo cesspools that dominate so much of the upper echelons of the so-called scene these days. Really sad when a bunch of old fucking men are more vital and relevant than the younger generation of would-be rebels, ain’t it? Personally, I blame it on the Teletubbies and that purple fucker Barney. –jimmy (Go Kart/Deck Cheese)


UNLUCKY FEW, THE:
Promo: CDEP-R
Just imagine, if you will, that LinkinPark or one of those other “hardcore” bands had spent any extended amount of time at art school. –jimmy (www.angelfire.com/rock2/theunluckyfew)


U.S. BOMBS:
Lost in America/Live 2001: CD
Wooo-hooo, it’s the U.S. Bombs in all of their loud, obnoxious glory – live, uncontrollable, and in your motherfuckin’ face! This is a chaotic collection of some of the most pissed-off sounds that’s ever been insolently tossed into a frenzied, slam-dancing crowd of unruly spiky-haired punk hooligans. Recorded during various balls-out performances on their “Back at the Laundromat” tour in 2001, this hard-hittin’ disc vividly captures the U.S. Bombs at their most fierce, tumultuous, explosive, and clamorous. Such high-velocity and volatile sonic eruptions as “Tora! Tora! Tora!," “Die Alone," “Isolated Ones," “Rubber Room," “War Birth," “The World," “Goin’ Out," “Yanks," “Ballad of Sid," and a bulgin’ barrel full more feverishly scream their way outta this flesh-carvin’ display of all-out auditory attitude. Lost in America is proof positive that the boisterously bad-ass Bomb boys are the most true-hearted and wildly animated bunch of insurrectionist louts proudly keepin’ the spit-stained spirit of punkrock alive and snarling today. –Guest Contributor (Disaster)


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