Welcome to Razorcake | DIY Punk Music | Punk Bands | Punk Rock Bands | Punk Magazine Welcome to Razorcake | DIY Punk Music | Punk Bands | Punk Rock Bands | Punk Magazine
 

























Record Reviews

1 2 3 4 5 6 7 8 9 10 11 12

| 0-9| A| B| C| D| E| F| G| H| I| J| K| L| M |

| N| O| P| Q| R| S| T| U| V| W| X| Y| Z|

Below are some recently posted reviews.

RSS Feed

FUCK DETECTOR:
Self-titled: 7”
Fargo, North Dakota’s Fuck Detector drop seven tracks of crunchy, ravaging Ginn-inspired hardcore on this 45. Any sane person would know right off the bat that this is terrible music, but for fans of terrible music, these are a pretty fabulous batch of tunes. Their basement hardcore approach could be the exact middle ground between other local flavors Quest For Fire and Holy Shit! And containing ex-members of Gumbi only increases that likelihood. Tonight’s low in Fargo is 11°F, but Fuck Detector’s blood is still boiling. –Daryl Gussin (Dumb Choice, dumbchoice@gmail.com)


FLESH LIGHTS:
Muscle Pop: LP
Amy just told me what a flesh light is. I didn’t know. You can look it up yourself, but the short answer is it is something you masturbate with. There are acceptable, sterile pictures on Wiki. I’m sure there are more graphic pictures available if you’re game. On vinyl, it means good rocking. This is a solid trio from Austin complete with songs about girls, drugs, and rock’n’roll. Snotty vocals are always the preferred delivery system for lyrics about unrequited love: the type of lyrics that never go out of style when they are done well. The band lights a fire using three-chord verses, short guitar solos, and back up vocals, creating the trifecta for my attention. No bad moments. Awesome. –Billups Allen (Twistworthy)


FISHBONE:
Crazy Glue:: CDEP
Fishbone are a goddamned punk/funk/ska institution in Los Angeles, one that any underground music fan past the age of twenty-five worth his weight in bondage belts knows well to respect. Outsiders in all the best respects, these cats have been taking heed of their own muse for more than three decades and have laid down a body of ass-shaking, stage-diving, moon-stomping gloriousness that should be (if it ain’t already) the envy of damned near every band daring to think of dipping their toes into any shallowest corners of the pond in which they do the backstroke. The seven songs presented here are a bit of a crash course in what Fishbone do so well—one Caribbean-inflected jam, a few funky workouts, and a couple of metal-tinged thrashers to get the kiddies worked up. Time will tell if anything here has the staying power of classics like “Lyin’ Ass Bitch,” “One Planet People,” or “Party at Ground Zero,” but rest assured you’ll have a helluva time getting’ down while waiting to find out. –jimmy (DC Jam, dcjamrecords.com)


EVENS, THE:
2 Songs: 7”
It’s been a few years since we’ve heard anything from The Evens, the project of Ian MacKaye and Amy Farina. It’s kind of understandable: Ian and Amy had a child together, not to mention Ian is Ian and has a hundred and one things on his plate, including doing interviews with idiots like me. So what will we find now that they’ve released their first new music since 2006? The two songs served up here are a welcome tease. The music still follows the same general style: Ian plays his baritone guitar, Amy plays the drums, and both sing. Amy takes the lead on the A side, “Warble Factor,” and her vocals sound as powerful and soulful as any other Evens material. The B-side, “Timothy Wright,” has Ian setting a gentle tone with his voice. There’s certainly no angry yelling here. The song is catchy and an enjoyable listen with Ian’s jangly guitar ever-present. While I truly hope there will be further material from The Evens, 2 Songs is a very satisfying listen in itself and, despite the hiatus, it shows a band that is just as interesting as ever. –kurt (Dischord)


EMPTY HEADS:
Get Real Dumb: 7”

This came with absolutely no information on the band except that it’s limited to three hundred copies. The A side of this record is dirty, poppy, catchy garage punk. The Mean Jeans or Goner Records bands spring to mind immediately. The B side, “Josie” side sells it for me, though. The sound is more aggressive but still pop sensible. It has a raw vibe. The drums and overall tone remind me a lot of an old Chiswick Records LP that probably shouldn’t be named.

–Ian Wise (Fatal Seizure)


DURBAN POISON:
No Time for Sleep / Stereophonic Tonic / Lost in Space: CDEP / CD / CD
No frills, true blue, dyed in the wool NY punk rock’n’roll, and you get it in friggin’ spades across these three discs. On one end you have no shortage of love for the Dolls, whose trashy glam-punk swagger is in full evidence on every song on demo-sounding No Time for Sleep and subsequently encoded into the DNA of Stereophonic Tonic. Every song on the latter is packed with hip-shaking sleaze, including an ace cover of the Marvelettes’ “Too Many Fish in the Sea.” Swinging the pendulum the other way, Lost in Space is neck-deep in Ramones leather and power chords. Though their cover of brudder Joey’s now-classic “Merry Christmas (I Don’t Want to Fight Tonight)” doesn’t fare quite as well in the translation as the Marvelettes, the lion’s share of tuneage here is quite the bee’s knees. The total mind-fuck of all o’ this, though, is it appears these cats ain’t even from anywhere near Queens—they hail from Victoria, British Columbia, which sits nearly 5,000 miles from New York. –jimmy (Shake!)


DING DONGS, THE: 7”:
Self-titled: 7”
Featuring Mark “BBQ” Sultan and Bloodshot Bill. I’m not sure whether to call this a “side project,” since both Sultan and Bloodshot Bill are involved in so many bands/projects at once, with each other, with friends. Wonderfully incestuous! Four partyin’ rock’n’roll and rockabilly (without getting silly) tunes. I like this better than The Ding Dongs debut LP from last year on Norton. I also like this better than Bloodshot Bill’s project with Sultan’s co-conspirator King Khan (Tandoori Knights). Definitely worth your purchase. –Sal Lucci (Sultan, marksultan.com)


DECLINE, THE:
Are You Gonna Eat That?: CD
Definitely not The Decline that was on Hostage Records back in 1999. Definitely named after the NOFX song. Yup. –ty (Pee)


DEATH BY STEAMSHIP:
S.S. Endurance: LP
You know, I’m not really that impressed by what’s going on right now in Seattle punk, as far as bands go. Seattle is where I live and I’m not being negative, just honest. I’ve got plenty of other things to keep me busy, so if a good band wants to come my way, well, good for me. That’s just what happened when I got this Death By Steamship record in the mail to review. Death By Steamship play a sort of jazzy, post-hardcore that goes from jaggedly-meandering to a more straightforward punk. The album starts out with “Digital Relay,” a timely, punk-as-fuck song about how technology is making us ignorant, detached from our environments, and stupid. One could not ask for a better written and timelier song, at a time when even the punks can’t resist Big Brother Facebook. The ebbing to pounding style of the band really draws the listener in. The vocals, I feel I must mention, are quite similar to Murder City Devils, and that might not serve them well, being that they’re from Seattle and all. But Jason’s vocals are only similar in cadence and vigor. They lack the grandiosity and theatrical goofiness of M.C.D. Otherwise, they sound quite different, and I would, actually, recommend Death By Steamship if you want a more empowering alternative than the Situationist-jerking-off-to-a noir-film, bad-boy-fantasy style of Murder City Devils. (I like them, too, but c’mon.) Anyway, besides the vocals, D.B.S don’t have any other similarities to those Seattle darlings. They represent a life some of us actually live, the stress of not knowing where the next paycheck is coming from and the small pleasure of being drunk on the bus or wandering the streets tripping balls. This is sincere and relevant shit and, hopefully, they’ll be the next show that I go to, that is, if I’m not too busy scrambling for my next paycheck or wandering the streets tripping balls. –Craven (Whoa! Boat, whoaboatrecords.com)


CYMEON X:
Free Your Mind, Free Your Body: LP
This deluxe reissue of a classic early Polish straight edge record is a true labor of love. Glossy packaging and a giant fold-out lyric sheet house the green and black marble vinyl. The foldout lyric sheet includes a rough English translation of the lyrics and a list of all thirty-five of the live shows Cymeon X played when they were an active band from 1992-1994. Polish hardcore of this time period has its own vibe difficult to put a finger on, but it’s somewhat reminiscent of U.S. “youth crew” material, only with a darker, gloomier edge. Get it? Edge? In any event, this is a very cool way to check out a classic, influential Polish band. –Art Ettinger (Pasażer, pasazer.pl)


CYCLOPS:
Self-titled: EP
Looking at the front cover, I was anticipating some shitty stab at punk from some half-assed band. Then I flip it over to the back and see Tina “Boom Boom” Lucchesi from the Trashwomen is on drums. Okay, I could very well be wrong about this band. I can be a prick at times. It’s known to happen. Put the needle down on the record, and hear the opening shouts of “Cyclops” set to a rapid and furious beat that borders on thrash, but they reign it in just a bit and throw in some noise to keep it more punk than bunk. Then they kick into “Fire” and I’m on my feet waving my hands in the air, moving around the room repeating “Oh, fuck yeah!!” The song that sunk its hooks deep into me has to be “I Have One Eye”; the hammering tempo and to-the-point delivery is primo. Then the follow up “CyclopsIsland” has a nice dirty swagger to send you off in a haze. Punk rock for miscreants and eternal juvenile delinquents. –Matt Average (Johnny Cat / Portland Mutant Party)


CUM STAIN:
Hurry Up and Kill Yourself: LP
This record contains a nice selection of three chord punk’n’roll. I’m usually turned off by graphic names, but I saw Cum Stain last year and they delivered in a big way. The record delivers as well, although it is inexplicably designed to look like a Crass spoof. I don’t get the joke, but maybe I am missing something. I can’t tell if the lyrics are as extreme as the album title. The opening song, “Bachelor’s Life,” moves at the pace of poppier Nobunny, and is consequently one of the only songs where the lyrics aren’t lost in the reverb. The song is a nice list of things that make up the lexicon of the lone punk dude, including loads of masturbation references. I can’t fully make out the lyrics to “Broke My Dick,” but I can imagine that it is pretty clear. Still, none of it seems like anti-P.C. shtick. The whole package comes across as sincere, off-the-cuff punkitude. The band is off the rails on a good, fun thing. The record speeds up and slows down and rocks and rolls. It’s a keeper. –Billups Allen (Burger)


CULTURE KIDS:
Self-titled: 7"
There’s something charming about guitar tones that sound like knives zinging over whetstones. Same goes for vocals that sound like strangulation. Same goes for “I call bullshit! Beer-battered-bullshit!” lyrics. Who knew JFA’s Blatant Localism EP wouldn’t flat spot after all these years? With skate-infused thrash punk the devils are in the details, and, for some reason, the illustration on the insert bugs me. Think Suicidal Tendencies-ish skull. Think Schmidt Stick—rails (I’m surprised there’s not a lapper) with an ankle-biter tip. But there aren’t any front trucks on the deck at all. Maybe so the band’s name could fit on the graphics. That’s weird. I like this record. I’m predisposed to. It’s the stuff I loved when I was thirteen years old. No surprises, just shredding. Ditch skating prior to the ascendancy of street, when Rodney Mullen wore day-glo. –todd (Self-released)


CUBICLE:
The Severance Package: CD-R
A nice bit of hardcore here more in the early L.A. punk sense rather than the modern template that immediately comes to mind. There’s a bit more intelligence and sophistication to the delivery than four-chord thrash-o-rama, and though I think the cover of the Circle Jerks only deprives the band of showcasing another original, what’s here is quite good. –jimmy (Cubicle, cubicleband.com)


CRAFT:
Void: CD
I like metal. It’s one of my favorite genres. When I first started listening to non-mainstream music in middle school, it was the first style I tapped into. I like thrash, grind, speed—just about every subgenre there is. But through it all, there has been one type I have not been able to get into and that is the type that Craft plays: black metal. I’ve tried listening to Burzum, Mayhem, and Gorgoroth, but have never been able to identify. I often find their music isn’t fast or extreme enough—there is a lack of brutality—and the vocals all seem to sound alike from band to band. And don’t get me started on the lyrics. Anti-Christian verses and satanic imagery is interesting when done well, but much of the genre can become a parody of itself. That being said, Craft follows many of these same parameters: Cookie Monster vocals that try and sound evil, in addition to poor lyrics (“My mind screams to me like a black metal record in dissonant accord”). However, one place where Craft seems to best some of their comrades is in regards to musicianship and the songs created on Void. While the mix seems to lack consistency, what is played is powerful and has some edge in its delivery. Too often, black metal comes across as one of the weakest subgenres within metal, but Craft seem capable of throwing in some hard riffs and the accompanying guitar solos fit appropriately. Obviously, Void isn’t my thing but if you want to check out something different in black metal, perhaps this might be up your alley? –Adrian Salas (Southern Lord)


CORMANS, THEE:
Halloween Record with Sound Effects: LP
The first time I listened to this album, I loved it. Horror-themed instrumentals with surf and R&B elements. It made me think of early Man… Or Astroman? and Impala. The packaging is sweet—heavy cardboard stock and a special slip cover. Subsequent listenings, however, are making me hate it. The low end is practically non-existent and when you can hear the bass and drums, it sounds too trebly. I had to check the sleeve to make sure Kevin Army wasn’t involved (he recorded a lot of late 1980s/early 1990s EastBay bands, mostly for Lookout! Records. Most of his recordings sound like shit—too compressed and trebly.) I don’t know if it’s intentionally recorded in shit-fi but goddamnit, what idiot mixed these recordings? And the band approved this? I think The Mummies cared more about the sound of their records than Thee Cormans do. –Sal Lucci (In The Red)


COMPLAINTS:
No Action: 7”EP
Another challenge of not being a “record reviewer in the abstract”—like being behind the digital curtain and protected by the irony-and-diction-laden formula of “rock journalism”—is that I tend to actually know not only the people in the band, but the person who mastered the record (Dave Eck), the bands musicians were in before they were in this band (Radio Reelers, Swingin’ Utters, Western Addiction), and, shit, I’ve even seen the bands live that they cover (Slaughter And The Dogs). All of this is the opposite of name dropping. It’s just from close listening to records and being an actual, contributing member of a community, not commerce. That’s it. I don’t want to be a dick and I don’t want to be dishonest. The Complaints are continually getting better. My two cents is that I still want more thud and crunch because what I hear is simple punk rock’n’roll. And if we’ve ever learned anything from Motörhead is that it doesn’t have to be flashy or prancy poetry, it just has to feel like you’re on a freight train about to run off the tracks. More danger, please. –todd (Modern Action)


COMPANY:
Die on This Island: 12”EP
It’s not every day a band manages to match their message with an exemplary delivery, but this Portland foursome with former members of Drunken Boat, do. Folks who appreciate Dillinger Four and Minor Threat ought to take note. With thick, meaty, chord-driven post-punk, “70 MPH” transitions half way through from brash, balls-out punk to finish on a haunting whine. When I heard “Bobby Dell,” an incredibly personal message to a parent with gut-twisting vocals, I knew this release would be in my regular rotation. This is one of the best records I’ve heard all year with progressive guitar hooks that take hold and won’t let go. Well written and executed; my only gripe is that it’s only six songs. I’m on pins for a full length. Recommended. –Kristen K (Bulkhead, bulkheadrecords.com)


COMBOMATIX / WHITE FANGS:
Split: 7”
Combomatix: As a person who nearly majored in French, I actively sought good French music. Do you know how rare it is that I hear French music that I like? It’s rare, very rare. If I had looked at the back cover before putting this on, I would have realized that it was French; but I didn’t because of the drawings of bullshit like a semi-truck and dream catcher on the front. Anyhow, I thought I was listening to the rad-as-fuck garage rock songs on here, and I was thinking that this band was from some middle of nowhere place in the Midwest—some place devoid of all things to do besides rock out at home. Spastic yet controlled jams. Tight! White Fangs: Another pretty awesome garage rock band—this time from Belgium! Bluesy in their approach compared to the zany Combomantix, but still great. –Vincent Battilana (Frantic City, franticcity.free.fr)


CLOAK OX, THE:
Prisen: CDEP
Fairly middling alt-rock. Kinda reminds me of that weird period when people were paying more than a hundred dollars for “grunge” Pendletons and bands were trading in their screamers for more nuanced vocalists to go with them walls o’ Marshalls and lattes. The music here’s more or less okay for what it is, but—and I freely admit that it could be the final mix, or my stereo or some other variable over which the band themselves had no control at all—the “clean” quality of the vocals cause them to stand out in ways that detract from any “edge” the band might be able to muster. –jimmy (Totally Gross National Product)


CITY MOUSE:
Self-titled:: 7"
As soon as I dropped the needle, I loved this record in a totally different way than I expected. Let me take a step back. I love Danzig. I have since old times. I’m still coming down from the high of the two Danzig Legacy shows I went to in October. So when I saw this record, I knew I was going to love it for novelty value. The front cover is the Danzig skull modified with mouse ears. The back cover is a photo of three adorable little kids reenacting the blood-drenched Samhain Initium cover. I didn’t really want to listen to the record. Figured the music couldn’t outdo the cover. Holy shit was I wrong. The vocals come from that inexplicable—but totally human—crossroads between desperation, confusion, power, and anger. The music follows suit. Lyrically, there’s a great journey that takes place from the A-side to the B-side. The record opens with a catchy love song and ends with a very thoughtful examination of the reasons for writing those types of songs. The conclusion: “When I can’t find no reason, I just find the rhyme.” –mp (It’s Alive)


CITIZENS PATROL:
2006-2011: CD
Wow, the members of this Netherlands band have been quite the busy bees, cranking out oodles of white-hot thrash-o-rama for all the sweaty little boys to run around in circles to. Sounding like they dipped from the same well as Out Cold and added a dash of early Attitude Adjustment to give things a slightly different feel, they start off in overdrive and don’t let up until the first third of the ninth song, taking a few seconds to inhale and then letting fly again. Also like the fact that the lyrics (or what I can make out of ‘em) aren’t afraid to be topical, either. Forty-nine studio tracks pulled from various LPs, EPs, splits ‘n’ demos, plus a full set tacked onto the end. Tight, fast, well executed, catchy and prolific. Not too shabby for a five year run, and from the looks of it, they’re still goin’ strong. –jimmy (Shield)


CITIZEN USELESS:
Don’t Die for Lies: CD
A quick glance at this album’s cover art had me excited for what I assumed would be a hilarious, dopey U.S. release with corny lyrics. But instead it’s an earnest, amazing, terrific release from Jakarta, Indonesia! The lyrical content ranges from serious political diatribes like “I Hate Americans” and “Day of the Dead,” to prototypical teen anthems like “Assole-ium.” It’s heavily influenced by 1990s street punk, but with a freshness as if Citizen Useless invented that style. The globalization of punk began almost right at its inception, but there still aren’t too many releases from even densely populated countries like Indonesia making it to stateside shelves. Fortunately, this fine CD can be found easily and it’s a must for fans of hearty, basic fare. How much is a round-trip flight to Indonesia to see these guys live? It’s $1,475 as of this writing. I guess I’m sticking to the recordings for now. –Art Ettinger (Self-released, myspace.com/citizenuseless)


CIRIL:
Sick Surreal: LP
Wow, this band is weird. Yikes. On side one of the LP, I can’t help but think of Jello’s vocals in “Meathook up My Rectum”-era Tumor Circus, backed by an oft mid-tempo, sometimes-quirky, sometimes-menacing rock band. Dense music that’s occasionally bordering on psychedelic—or at least really, really odd—and utterly convincing. Actually, yeah, couch this one between Tumor Circus and the Butthole Surfers around the time Psychic, Powerless… came out. And yet, side two is even gloomier and doomier and sounds almost like an entirely different band, complete with male-female vocals and a markedly different recording quality? Who the hell are these people? What is going on here? I was ready to write these guys off as just another grind band, judging from the horrible cover art, but they’re much more than that. I mean, I don’t entirely know what they are, but Sick Surreal is certainly an odd, captivating listen. The title is absolutely spot-on. This is fever-dream punk. –keith (Know)


CHEMICAL :
System Error: CD
Thirty years ago, I would’ve dismissed this as fairly by-the-numbers U.K. punk stuff. These days, however, their sound, and obvious attention to the current state of the world, is a bit more uncommon than it once was, so this comes as a bit of fresh air when put against the piles of their peers who spend their time making hollow shouts at rebelling against an amorphous systems and getting drunk. While the recording quality is still pretty rough, it is definitely an improvement over the last release I remember hearing by ‘em, which I guess you could say is progress. –jimmy (Chemical Threat)


1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100 101 102 103 104 105 106 107 108 109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127 128 129 130 131 132 133 134 135 136 137 138 139 140 141 142 143 144 145 146 147 148 149 150 151 152 153 154 155 156 157 158 159 160 161 162 163 164 165 166 167 168 169 170 171 172 173 174 175 176 177 178 179 180 181 182 183 184 185 186 187 188 189 190 191 192 193 194 195 196 197 198 199 200 201 202 203 204 205 206 207 208 209 210 211 212 213 214 215 216 217 218 219 220 221 222 223 224 225 226 227 228 229 230 231 232 233 234 235 236 237 238 239 240 241 242 243 244 245 246 247 248 249 250 251 252 253 254 255 256 257 258 259 260 261 262 263 264 265 266 267 268 269 270 271 272 273 274 275 276 277 278 279 280 281 282 283 284 285 286 287 288 289 290 291 292 293 294 295 296 297 298 299 300 301 302 303 304 305 306 307 308 309 310 311 312 313 314 315 316 317 318 319 320 321 322 323 324 325 326 327 328 329 330 331 332 333 334 335 336 337 338 339 340 341 342 343 344 345 346 347 348 349 350 351 352 353 354 355 356 357 358 359 360 361 362 363 364 365 366 367 368 369 370 371 372 373 374 375 376 377 378 379 380 381 382 383 384 385 386 387 388 389 390 391 392 393 394 395 396 397 398 399 400 401 402 403 404 405 406 407 408 409 410 411 412 413 414 415 416 417 418 419 420 421 422 423 424 425 426 427 428 429 430 431 432 433 434 435 436 437 438 439 440 441 442 443 444 445 446 447 448 449 450 451 452 453 454 455 456 457 458 459 460 461 462 463 464 465 466 467 468 469 470 471 472 473 474 475 476 477 478 479 480 481 482 483 484 485 486 487 488 489 490 491 492 493 494 495 496 497 498 499 500 501 502 503 504 505 506 507 508 509 510 511 512 513 514 515 516 517 518 519 520 521 522 523 524 525 526 527 528 529 530 531 532 533 534 535 536 537 538 539 540 541 542 543 544 545 546 547 548 549 550 551 552 553 554 555 556 557 558 559 560 561 562 563 564 565 566 567 568 569 570 571 572 573 574 575 576 577 578 579 580 581 582 583 584 585 586 587 588 589 590 591 592 593 594 595 596 597 598 599 600 601 602 603 604 605 606 607 608 609 610 611 612 613 614 615 616 617 618 619 620 621 622 623 624 625 626 627 628 629 630 631 632 633 634 635 636 637 638 639 640 641 642 643 644 645 646 647 648 649 650 651 652 653 654 655 656 657 658 659 660 661 662 663 664 665 666 667 668 669 670 671 672 673 674 675 676 677 678 679 680 681 682 683 684 685 686 687 688 689 690 691 692 693 694 695 696 697 698 699 700 701 702 703 704 705 706 707 708 709 710 711 712 713 714 715 716 717 718 719 720 721 722 723 724 725 726 727 728 729 730 731 732 733 734 735 736 737 738 739 740 741 742 743 744 745 746 747 748 749 750 751 752 753 754 755 756 757 758 759 760 761 762 763 764 765 766 767 768 769 770 771 772 773 774 775 776 777 778 779 780 781 782 783 784 785 786 787 788 789 790 791 792 793 794 795 796 797 798 799 800 801 802 803 804 805 806 807 808 809 810 811 812 813 814 815 816 817 818 819 820 821 822 823 824 825 826 827 828 829 830 831 832 833 834 835 836 837 838 839 840 841 842 843 844 845 846 847 848 849 850 851 852 853 854 855 856 857 858 859 860 861 862 863 864 865 866 867 868 869 870 871 872 873 874 875 876 877 878 879 880 881 882 883 884 885 886 887 888 889 890 891 892 893 894 895 896 897 898 899 900 901 902 903 904 905 906 907 908 909 910 911 912 913 914 915 916 917 918 919 920 921 922 923 924 925 926 927 928 929 930 931 932 933 934 935 936 937 938 939 940 941 942 943 944 945 946 947 948 949 950 951 952 953 954 955 956 957 958 959 960 961 962 963 964 965 966 967 968 969 970 971 972 973 974

| 0-9| A| B| C| D| E| F| G| H| I| J| K| L| M |

| N| O| P| Q| R| S| T| U| V| W| X| Y| Z|

Razorcake Podcast Player


·VARIOUS ARTISTS
·DOUBLE DAGGER
·FEDERATION X
·LOW CULTURE
·VARIOUS ARTISTS
·CAPTURE THE FLAG
·VACATION
·RAN
·VENA CAVA


If you live in the Los Angeles area and want to help us out, let us know.



Get monthly notifications of new arrivals and distro and special offers for being part of the Razorcake army.



 
Razorcake/Gorsky Press, Inc.
PO Box 42129
Los Angeles, CA 90042

Except for reviews, which appear in both, the
contents of the Razorcake website are completely
different from the contents of Razorcake Fanzine.

© 2001-2015 Razorcake/Gorsky Press, Inc. Privacy Policy

Razorcake.org is made possible in part by grants from
the City of Los Angeles, Department
of Cultural Affairs and is supported
by the Los Angeles County Board of
Supervisors through the Los Angeles
Arts Commission.
Department of Cultural AffairsLos Angeles County Arts Commission


Web site engine code is Copyright © 2003 by PHP-Nuke. All Rights Reserved. PHP-Nuke is Free Software released under the GNU/GPL license.