D4th of July at The Triple Rock on July 4, 2015
Now that D4 is twenty-one, they’ve got a lot to lose. Look back on better times,
By Kayla Greet Tuesday, August 04 2015
Last year, my good
friend shelled out a bunch of money and went to Fest in Florida which is on the
complete opposite corner of the U.S. For weeks afterwards, Fest was all she
could think or talk about. After D4th of July, I completely understand. This
event was the first time I’ve dropped a bunch of money on a flight to see bands
and it was worth every saved cent. Once I saw the lineup, I couldn’t say no.
This event clocked in at fifteen bands (one of which was the mighty Lifter
Puller, revealed that day), and three stand-up comics.
My red-eye flight landed in Minneapolis
at five AM on Friday, July third. After a couple hours sleep, and hitting up
some local pinball joints (Mortimer’sis rad!), I moseyed into the Triple
Rock around six where I met the world’s nicest bartender. He made me
a short list of things to see in town and gave me a coupon to a local record
store as I rambled on about how excited I was to be at that venue for such a
big show. Working my way through a plate of fantastic vegan nachos, I glanced
over to the person next to me at the bar who happened to be flipping through my
“One Punk’s Guide to Pinball” in Razorcake#85. I instantly felt right at home, even though I came out alone and didn’t
know a soul there.
Throughout the weekend I drew parallels between the show goers I saw and my
friends back in Seattle.
“That grinning gal with blue pigtails is Minneapolis’s
Kourtney. The crusty kid with the mohawk is their version of Tony Trash. The
friendly sober guy with platinum blonde hair is Lonny Bristle if he grew up in
the Midwest,” I thought as I went through the
fest completely invisible to those around me. It’s both terrifying and liberating to be somewhere
outside your comfort zone and totally alone. While I envied those who
met each other with bear hugs and smiles, I relaxed at the same time, knowing I
had nothing to lose by putting myself out there. It didn’t take long to find
that making friends is easy with enough beers and punk rock singalongs. Sure
enough, there we were arm in arm (up in arms) again.
Camp, No Skin, Arms Aloft, Zero
I walked into the show room at the slated start time to find nothing happening,
so I opted to get some food after about ten minutes of waiting around. Instead
of catching France Camp, I made new friends at the bar over a couple of beers.
Earlier in the night I talked to Tyler of No Skin who let me in on the secret that their singer, Ben Crew, was M.I.A. for this
show. While Ben had booked this gig for his band, he decided to see a Weird Al
Yankovic show in lieu of playing one. The rest of the band picked up the vocal
slack and roasted Ben the entire night. Among other insults, they burned a
picture of him on stage and insinuated that he is untrustworthy around
children. Even sans singer, No Skin put on a solid set with insulting
entertainment peppered throughout.
It had been far too long since I’d seen Arms Aloft and I loved every second of
it. A few years ago, I booked them at The Morgue in Seattle and it proved to be one of the best
attended shows I’d ever done there. Sawdust City is the record I’m most familiar with
and they cruised through jam after jam from that. There was a diehard fan up
front with me who belted out each song with so much passion for them. Arms
Aloft are very much a blue collar punk band, heavily influenced by stuff like
Hot Water Music and Jawbreaker, which is right up my alley. They put their full
selves into the entire set and the crowd responded appropriately.
By the time Zero came on I was hoarse, buzzed, and waning in energy.
Luckily, they were not. Equipped with super shreddy guitar riffs and strong,
raspy vocals, these guys tore through their set in a way that helped reinvigorate
me for the night. They’re a hardcore punk band with metal leads and street punk
tendencies, and certainly looked the part, clad in ‘77 spikes, charged hair,
and bullet belts. It was a good way to wrap up the night and I cabbed back to
my buddy’s house, bursting with excitement for the next day.
D4th of July: United Teachers Of Music, Nato Coles And The Blue Diamond Band,
Pink Mink, Tim Barry, Off With Their Heads, Toys That Kill, Scared Of Chaka,
Lifter Puller, Dillinger Four, Against Me!
Dear readers, I’ve failed you again and missed most of the opening band! After
catching up on my jet-lagged sleep deprivation, my buddy Matt and I quelled our
hangovers with breakfast burritos and iced coffee from The Bad Waitress. Since
I have limited experience with summers in the Midwest, I was completely
unprepared for how goddamned hot it was. Some eighty-six degrees with over
sixty percent humidity was melting my face more than the gnarliest metal band
ever could. Though I stuck steadfastly to my one-to-one water and beer ratio to
deter dehydration, I was still overdressed and totally uncomfortable all day.
The main fest was outdoors and the only relief was found in the A/C-equipped
show room at the Triple Rock, so that is where I spent every moment between
I only caught the last song and a half of United Teachers Of Music. The singer
wore studded gauntlets and wielded a sword. While kinda kicking myself for not
seeing more, I was still trying to take in the size of the outdoor stage. It
was much, much bigger than what I was expecting and sort of gave off a Warped
Tour vibe. Fortunately, that impression was secluded to the stage itself. After
their set, I looked around the crowd of people hugging each other with smiles
and warm greetings and it set in that I was totally alone and invisible.
Fortunately, the next thing I did was meet fellow Razorcake contributor Marty
Ploy! Cool, now I knew at least a single soul here.
Coles And The Blue Diamond Band was next. More and more people
started trickling in as their set went on. After seeing this band, I truly
believe Nato Coles is a
man who was born to rock’n’roll. He had the best stage antics of the entire day
wherein he’d climb up the risers of the stage, do spins and some really smooth
rock jumps. The band was pretty straight forward punk’n’roll in the best
way. Early in the set they covered Thin Lizzy, which really helped kick things
off. They clearly were having the best time on that massive stage and really
started getting the crowd warmed up for this magical day of music.
On next was Pink Mink who were the last of local bands
I didn’t know anything about. Their guitarist donned an old school Scared Of
Chaka tee and mentioned how stoked she was to see them. This band was so
fantastic! They have strong vocal harmonies and play a style of punk that is
steeped in power pop. For their last song they opened up the set for the crowd
to choose what to play, which exemplified a real sense of local loyalty to this
Still attempting to deal with the sweltering weather, I popped into the showroom
again during the quick change over on stage. There I made friends with a sweet
couple who invited me to hang out with them during Tim Barry, who I’d never
seen live. I admitted to my new friends that while I adore Avail, I felt like I
needed to be in a certain mindset to enjoy Tim Barry solo. What blew me away
was how quickly Tim’s lyrics and attitude took me right there. He has got to be
the most down-to-earth, genuine, and sincere artist I’ve ever seen. When he
stood up on that six foot tall stage and told the crowd how he wrote the next
song while sitting on the side of the road one night in his big rig and never
expected anyone else to hear it, well that just warmed my heart. If ever there was
music for the working class punk of today, it came out of Tim Barry’s throat
and guitar. Inspired by a woman in Florida who does this every time she sees
Tim play, Tim led the
crowd in a call and response chorus of “How’s it going?” and “Fuckin’ fine”
with both middle fingers extended during “Walk 500 Miles.” From that moment on
I developed a much deeper appreciation for this songwriter.
With Their Heads! It had been a number of years since I’d seen them and
within the last year I’ve started religiously listening to singer/guitarist
Ryan Young’s podcast, Anxious and
Angry. I was pretty pumped for this set. They started off with Ryan
expressing how happy he was to be a part of a bill like this one with so many
acts that inspired him to do this in the first place. He mentioned that “In
true Dillinger Four fashion” they had not played together in months. The set
was quick fire and had tons of energy, tearing through songs from Home, In Desolation, with a sprinkling of tracks from Hospitals. This was the set where the
crowd really kicked into high gear for the first time that day, and tumbled
around in a frenzy, in sync with every word sung. For “Clear the Air,” the last
song of their set, Ryan put down his guitar and jumped into the audience to
scream alongside us all. I walked away from that set feeling like I had gotten
what I came all that way for. I was constantly reminded that there is so much more cool shit about to happen.
Todd Congelliere and crew started the first of their two sets for the day with Toys
That Kill. When I told people I flew half-way across the country to see
some of my favorite bands, most of them didn’t get it. I feel like if they saw
a Toys That Kill set, it would make perfect sense. I absolutely love the guitar
tones that Todd produces. Every song was met with smiling faces and fancy feet. My favorite
songs from Control the Sun and Fambly 42 burst from the stage. I jumped
around screaming about how I’d been mobbed by the threes with the rest of the
energized crowd as a beach ball soared over our heads. They ended on “They Tied Up All Our Lace”
which made the audience go nuts. That song is the bookend music to Ryan Young’s Anxious and Angry podcast that has
seventy some episodes and I’m still not sick of hearing it. I’ll
take that track as a stand in for “Don’t Stop Believing” any fucking day.
During the changeover I scoped out the Anxious
and Angry merch and ended up talking to Billy from D4. Looking over the
parking lot full of a few hundred people, he seemed a bit taken aback by the
whole thing. I mentioned I flew out from Seattle
for it just as Dave Hernandez from Scared Of Chaka went by and Billy introduced me. Even though
we both live in the Emerald City, I still have never
seen Dave’s current band Little Cuts, or run into him anywhere. He greeted me
with a hug and I said I had to miss their Seattle
show since I flew out that very night. Just before he ran off to set up on
stage, he smiled and said, “I think this one is going to be better anyways.” Minneapolis loved Scared Of
Chaka. It was a jittery dance party for their entire set. Even though they outright
said it on stage, I could easily tell that they were all incredibly stoked to
be playing again after so long. Nostalgia for this band welled up in me and I
felt as content and carefree as the teen I was when I first heard them.
I retreated back to the showroom of the Triple Rock for more A/C. While hugging
the chilled concrete walls of the venue, Paddy Costello walked by and I wished
him a happy D4 birthday. Twenty-one years is a hell of a track record to be
playing music with the same four guys.
I was about to see a band who started at precisely the same time and played
numerous shows in Minneapolis
with D4. Lifter Puller is a band I wish I knew as
long and as intimately as I did the birthday band. It was only a few years ago
that I was introduced to their music. The guy I was dating at the time was
playing DJ one night and put on one of their songs. I was instantly drawn to
Craig Finn’s voice and lyrics. I was a little late to their set as I heard the
opening chords resonating through the bathroom walls in my Midwest
ice palace. I made a mad dash to the front of the stage to witness a set that I
never thought I’d see.
LFTR PLLR played only eight songs but they were works of art rock poetry that
easily packed the forty-five minute block of time allotted to them. With
exaggerated arm movements and intermediate whistle blowing, Craig was incredible.
The stage’s barrier was fringed by die-hard fans who kept in step with every
word. Their last set was twelve years ago when the Triple Rock opened. Craig
shared a few stories of days of yore and effectively made it clear that D4 were
the only ones who could coerce them into a reunion show.
Finally, the moment had come for me to see Dillinger
Four for the first time. They rarely make it out to the Northwest and I’ve
missed each time they have. The locals I talked to said they hardly play Minneapolis either, so
everyone was just as stoked. For the next forty-five minutes I found myself
shouting along to the lyrical genius while holding up crowd surfers. Strangers
put their arms around me and sang along. Fists pumped emphatically in the air.
Contrary to their live
reputation, D4 played tight and serious. That’s not to say that there
wasn’t any goofiness. Early on in the set, Paddy requested that four shots of Jameson be brought to the stage. As Eric tried to
decline, a hand clenching a fifth of Jameson emerged from the front of the
crowd. Shots were cancelled and the band drank straight from the bottle. Don’t
let the six-foot-tall stage, barriers, and security guards fool you; we were
still at a fucking punk show at the Triple Rock. They prefaced “Folk Song” as
being about making your own success even if it’s in a shitty town. Directly
after that Paddy realized that Lifter Puller only got popular after they left Minneapolis and promised
to never play that song again. Almost all the banter came from Mr. Costello—he
thanked baby Jesus and proclaimed that Toys That Kill and Tenement are the best
current punk bands in America.
The only regret I have about their set is that they didn’t play “Twenty-One
Said Three Times Quickly” on their twenty-first birthday. Really guys? I
thought that would be a given, now that they’re twenty-oooooone. And I know
is about Fest, but I couldn’t help attributing every feeling in that ballad to
the ones I was having at D4th. It felt like October in the summer.
Last band outdoors for the night: Against
Me! They have been through quite the journey. It was both weird and
exciting to notice the signs of their success—nice tour bus, great gear, no
wear on the soles of their shoes. That’s not to say I fault them for any of it;
they’re still out here in the heat of Minneapolis,
playing for the punks. I met up with my bourbon-soaked-cherries friends from
earlier in the day and snagged a good spot for AM! At that point, I took a look
at the crowd behind me and just smiled at a parking lot full of hundreds of
sweethearts who were having the best time. Maybe it was too many of Surly’s
‘Merica beers, maybe it was the close proximity of the one year anniversary of
losing a good friend, but when they broke into “Dead Friend,” I broke into
tears. And I did it again during “Thrash Unreal.” Lines like “If she wants to
dance and drink all night, well there’s no one that can stop her,” and “No
mother ever thinks that her daughter’s going to grow up to sleep alone,” hit
real close and get me caught in a dichotomy of reckless fun and profound
With the exception of those emotional moments, the rest of the set was an
absolute blast. Their set focused on the Trans
Dysmorphia Blues record with quite a few classic jams thrown in. I think
every era of their career was represented. The guy behind me accidentally
whacked me in the head with his full beer during “Pints of Guinness Make You
Strong” (apparently PBR pints do too) and I responded to his apology by singing,
“I swear to god that I’ll love you forever.” Some of my favorite songs like
Sink,” and “TSR” showed up at the end. Fireworks exploded behind Laura, making their set both
the most romantic and most patriotic. I had seriously forgotten it was the
Fourth of July until that point.
Someone in the crowd had an American flag that they spent the majority of AM!’s
set holding above the audience. Laura didn’t talk much during the set, but when
she did it was to tease that dude about the moderate size of his flag.
Something to the effect of: “You either see the standard huge flags, or tiny
ones. Where do you get a medium sized flag?” As the sun finally set around
9-9:30, Against Me! wrapped up and left a parking lot full of people asking for
more. In a matter of minutes, they came back for an encore, with Laura on
acoustic guitar, including a cover of The Replacements’ “Androgynous.” For just
a moment, I felt like a true Minneapolitan.
After Party: The Slowdeath, Comedians Rana May, Mike Brody and Jonah Ray,
Underground Railroad to Candyland
Sizing up the crowd of those who’d made it through the whole fest, I quickly
realized that all of these people were not going to fit into the Triple Rock’s
show space. So, sticking true to my tradition of running inside between bands,
I secured myself a wristband for the after party. For whatever reason, the
after party took forever to kick off. Maybe the staff was busy tearing down the
stage outside, or cleaning up, or whatever. Either way it gave me time to
connect with Marty and another Razorcake contributor Tommy Vandervort. I also
got to chat with Ryan from Off With Their Heads for a bit, which was cool.
Slowdeath came on after what felt like an hour of waiting, but it
was totally worth it. It was my first time catching them and I’m not as
familiar with their stuff as everything else. “The Opposite of Jesse’s Girl”
was the only song I could remember words to at this point. Jesse Thorson bullied his
bandmates around stage, faulting them for being short, or old, or just plain
dumb. It seemed like a thing they were used to.
The comedians were a nice change of pace. Mike Brody got heckled by Jesse, too, and
they resolved it by quoting Black Flag lyrics. Jonah Ray stole the show though. He had hilarious material, rapped,
and ended his set with a story of how he tried out for Underground Railroad To
Candyland when they needed a drummer. Todd came out at this point and told him
to reenact the audition. By the third beat, Todd yells “Nope!” The rest of
Underground joined the stage and played the first song with Jonah, who wasn’t
half bad! Twelve hours of rocking my heart out started to catch up to me so I
danced as long I as could stand it and finished out the last song on a barstool
surrounded by a sea of abandoned drinks. There was a rainbow clown wig, a penguin suited trombone
player, and a lion clad keyboardist. If I didn’t have the pictures to
back it up, I might not believe myself.
It was incredibly hard to
leave the land of
Hot Water Music tattoos,
Ergs! T-shirts, and colored hair, especially after making so many new friends.
To be truthful, I had a D4th emotional hangover for days once I got home.
I commenced my Minneapolis
trip with a visit to Extreme Noise to scope out some records. Among other
scores, I found Against Me!’s Disco
Before the Breakdown single and D4’s More
Songs About Girlfriends and Bubblegum—both of which are some of the
earliest releases from those bands. It seemed fitting to fly back home with
those. And speaking of the flight home, Scared Of Chaka was on my plane so I
got to thank them in person for the best Independence Day I’ve ever had.
Take that, England!
Kayla occasionally gets inspired / heated enough that she writes for herself
instead of keeping it all in her head. Those moments can be found on her
Otherwise she writes for New Noise
Razorcake, and Skill Shot—a zine about pinball
which is eight years old next month! She has also started a podcast about
pinball that can be found here: Skill Shot Pincast. Upcoming guests
include Ed Robertson from the Barenaked Ladies. Seriously! And in her free time,
she’s either playing pinball or cuddling the hell out of her cat Etsuko.
Razorcake.org is made possible in part by grants from the City of Los
Angeles, Department of Cultural Affairs and is supported by the Los Angeles
County Board of Supervisors through the Los Angeles Arts